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Nkemdiche Okpara Igbo Book Design typography Chicago Span 01b

Nkemdiche

Client
Ọkpara House
Community
Cultural
Design
Publishing
Services
Print
Book Design
Awards
STA 100 2021
AIGA 50 Books | 50 Covers
Credits

Obiora Nwazota
Writing

Nick Adam
Design Direction, Design

Bud Rodecker
Design Direction, Design

Lucie Van der Elst
Illustration

Jelgavas Tipogrāfija
Printing

Valdis Kauliņš, Studio Imagine.
Product Photography

Also

Courtney Garvin
Ọkpara House Logo Design

Order your copy of Nkemdiche today from Ọkpara House.

Nkemdiche Why We Do Not Grow Beards is classic Igbo folklore that takes place in an otherworldly time when women grew beards. It is a genesis story of African women and their knack for elaborate hairdos that we have come to admire and love them for today.

Obiora Nwazota assembled a global team to collaborate in producing this book. Span was brought in to design the book’s cover and the interior pages. This work was to advance the early-stage drafts of designer Courtney Garvin that featured the work of Parisian illustrator, Lucie Van der Elst.

Span designed the cover that celebrates our protagonist Nkemdiche and her beautiful beard. By setting the illustration of Nkemdiche to break from the color-blocks we create a sense of dimension around the decorated beard — this is further emphasized by the book’s title dropping behind the beard.

Nkemdiche, an Igbo term that translates to ‘mine is different’, is set in Minérale (a shapely typeface) that reflects the unique and creative qualities Nkemdiche was known for in her beard styling. The body of the book is set in the typeface Kigelia from JamraPatel. Kigelia is the first-ever system of fonts designed to coordinate in character the most prominent writing systems in Africa. Begun in 2014, this typeface was designed by Mark Jamra and Neil Patel from in-depth research and consultation with script and language experts, both inside and outside the respective language communities that use these scripts.

This is the first book to be published by Ọkpara House. Through Art and design objects, prints, and various media, Ọkpara House’s mission is to harness the power of good design, dialogue, and academic research as powerful agents to stimulate, reactive, elevate, and reimagine Igbo culture. Through this, they are reclaiming and asserting the relevance of Igbo culture on contemporary lifestyles within and beyond the Igbo community. The Ọkpara House logo was designed by Courtney Garvin.

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